On into Act II, "The First Time Today, Pt.2", continues "Nobody Home", with Pink realising that his marriage is over a d there's nothing he can do.
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Right before "Young Lust", "Sexual Revolution" (which was demoed by the band in late-1978) shows his views towards women, soon before a song about his sexual needs, fitting in well. "Paranoid Eyes" serves as a prequel to "Empty Spaces/What Shall We Do Now?", showing Pink starting to "lose it", in a way. "The Post War Dream" deals with politics, and is the first time Pink deals with it, seing the world he's growing up in in the middle of a Crisis. "The Hero's Return" and "One of the Few" both deal with the teacher from "ABITW, Pt.2", but telling jt from his perspective, a war veteran himself. In "Southampton Dock", come the news of his father's passing, creating the cue to "When The Tigers Broke Free" and "ABITW, Pt.1", both dealing with the loss of his father. It starts off just as the released version, with the first "In The Flesh?" setting the mood, followed by TFC's "The Gunner's Dream", which talks about Pink's dad's experiences in WWII. I renamed it "Bricks On The Wall", after the original demo, and divided it into two acts (I tried to divide into album sides, but doing so would mess up the sequence, so.), of 21 songs each. So, what I am trying to do is: to join these conceptually united songs together into one entity, adding more detail to The Wall's story. And even in it, two or three songs fit into the Wall's sparse narrative. TPACOHH only saw the light of day as a Roger Waters solo release in 1984, with Eric Clapton as the guitarrist.
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The Floyd's following album, 1983's divisive The Final Cut, featured many songs originally written for the original album that were turned away (such as The Hero's Return), and even the songs that weren't specifically written for that fit thematically, one way or another. David Gilmour even said that most of it sounded the same anyways, and that they chose The Wall because it was "less personal" than it's twin album. "Bricks In The Wall" and "The Pros and Cons of Hitchhiking" were the two demos that Roger Waters presented the band in late 1978, sharing the fact that both were concept albums, and some songs.